Theaters' History Lessons

The subtitle of this blog is "Subjugation Fails."

My three most-recent outings to the theater were:

1. One Flew Over the Cuckoo's Nest at Round House (closes April 26)
2. The Civil War at Ford's (through May 24)
3. Ragtime at the Kennedy Center's Eisenhower Theater (through May 17)

Of these, obviously Civil War and Ragtime have more in common thematically, and also structurally, but Cuckoo's Nest illustrates the historical point very clearly: subjugation of one group (in this case the mentally ill) because it does not fit in with what is deemed normal (so deemed by those in power) is immoral and destined to fail.

Civil War, more concert than play (I would call it a concert with stagecraft and some acting, but no plot--more of a live montage), presents the human impacts of the war from a variety of points of view, including the words of Frederick Douglass and Abraham Lincoln. It ends with a montage projected on the backdrop bringing the history of civil rights up to the present. Obviously a rushed and abridged edition; the imagery used is iconic but conveys the most meaning to those who already know their history.

My favorite part of that production was the fact that it took place in Ford's Theatre (hee! Not a good seat in the house, though the chairs themselves have been improved). The famous box where Lincoln sat (with a portrait of Washington hanging in front) was lit up whenever Lincoln's words were read aloud, and the singers/characters turned to "watch" him. I could almost imagine Lincoln standing and nodding in acknowledgement of the performers.



Ragtime got to have my expectations lowered thanks to the Washington Post story ("Reduced Ragtime") about how the production values have been diminished since its 1998 Broadway and heavily Tony-nominated production. That was the age of overproduction, so truthfully it wasn't that big a deal to me. The touring set is impressive enough, with multiple tiers of metal railroad-station platforms surrounding three-fourths of the stage.

This also gave the feeling of America always being on the go. Like with Civil War, the show seemed more pageantry than history, as though these important events could only be reduced to an outline--or a skeleton, whose meat is provided by the strength of the performers and their connection to the audience.

The story of struggle against subjugation and for the liberation of creativity is a compelling one, and all three of these shows grabbed me by the heart.

And for those of you who count such things, all three shows got standing ovations for the performances I attended: A Thursday night preview, a Sunday matinee, and a Sunday night, respectively.

love, hosaa
waiting for the next curtain to rise

P.S. Update on the Box issue. I may go back to Box after all. The non-box version of Comcast no longer carries Show Tunes on the Music Choice channels. Crap.